Amelie and The City of Lost Children belong to those films that, although, you find strange when you sit through it for the very first time, they stay with you forever. I find the director (Jean-Pierre Jeunet) to be Europe's answer to David Lynch - only a tad heavier on the regressive images and lighter on the subconscious horrors. So when he had another film out, I was not going to miss it. And, once more, I was glad I did. MicMacs (Micmacs à tire-larigot, as is the original title) is a sleeper gem of a film.
A bunch of eccentrics (each with his or hers own quirky character and unusual personal history) come together by life's caprice and end up undertaking an impossible task: try to take down the two largest arms manufacturers in the country. Ingenious ideas, impossible retro gadgets (handmade from salvaged materials), and an unwavering sense of justice. No sacrifice is too big if it means making the villains pay for their crimes.
The colors are soft and comforting; the imagery is mesmerizing; the music will take you back to a more naive age; and the story will make you laugh, cry and laugh again. All in all, great entertainment!
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